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ell, why not? In our search for the ibang-klase-ang-ganda-mo
Pinay Power 7th Anniversary issue Cosmo cover girl, we
kept coming back to Mylene Dizon: From
her jaunty whimsical outlook to her newfound love for
theater, we think she's just about as Cosmo as Cosmo can
be.
Rewind
A quick recap on this 20-something vixen: Mylene Torres
Dizon was (and still is) a precocious child, although
she claims she was never into acting much until 1994,
when she landed a gig in the Channel 5 magazine teen show
'Kada. Mylene says, "I never really imagined myself
joining show business, but I had nothing to lose then.
Before I knew it, it wasn't just the money anymore-I got
the hooked!"
In
1996, she was launched as part of the second batch of
Star Circle, which included then-unknowns Rico
Yan, Diether Ocampo, Marvin
Agustin, Dominic Ochoa, Patrick
and Cheska Garcia. Her career was a slow
and steady climb, marked with television roles that showcased
a natural ability to act. Her first big break came in
2000, when she snagged the lead role in Gil Portes's Gatas…Sa
Dibdib ng Kaaway. Situated in World War II, Mylene played
a Filipina wife who, through a tumultuous chain of events,
is obligated to become a nursemaid for a Japanese officer's
son. The buzz that surrounded the movie led to her first
telenovela role: the offer to guest in the Claudine Barretto
soap Saan Ka Man Naroroon. "Sobrang radical 'yung
change in character ko from Gatas, where I played a timid
woman, to my character in Saan Ka Man, where I played
one of the contrabidas. Even my hair was cut super-short,
so it was really radical."
The
came the character that everyone loved to hate: sally,
the original nakapagasawa-ng-mayamana b-e-e-yatch who
made Claudine Barretto's life a living hell in Sa Dulo
ng Walang Hanggan.
Let's
see that in slo-mo
Yes, she's had her share of angry shrieks, slaps, and
hair pulling by anti-Sally fans in malls and other public
places. But the best one, Mylene shares with wide-eyed
glee, was the time the cast did a motorcade in Bacolod,
and a very angry Lola came running out of the house and
chased the car Mylene was riding in. "Galing siya
sa loob ng bahay, tumatakbo, tapos sumisigaw ng "biiii-gaoooon
kaaaaah!' Parang slo-mo!" Mylene recounts with half-awe
and half-disbelief!, "Naiyak ako! Not because I got
hurt by what she said, but I remember thinking, 'ganito
ba kalakas ang impact ni Sally?' sa sobrang galit ng matanda,
napatakbo sya, eh din a sya dapat nakakatakbo! Lola-as
in kulubot. Tumatakbo. Ang ganda.'
But
Mylene is qui ck
to point out that there are more fun moments than sucky
ones, working on soap. Sometimes you may feel that it
tends to be predictable, like how you say your lines.
But there's a certain kind of pleasure in starting the
show, where everybody is struggling to create the eight
mix and chemistry-and then when you do achieve it, it's
like-woohoo! You're riding the wave and enjoying the trip."
Mylene
says that working with Eugene Domingo, who played the
smart and faithful Simang on Sa Dulo, was a tremendously
enjoyable experience-as a matter of fact, she gleefully
reveals that probably half of their verbal sparring was
improvised. "If we had three lines, it would become
six. Ad-lib to death. Hangga't hindi nagsasabi ng 'Cut!'
yun director, hindi kami titigil! As in, asaran. Ang saya-saya.
And the viewers liked it. Nagkaroon kami ng cult following
ni Simang. Eh good friend ko si Eugene. Kapag nagma-malling
kami tapos nakikita kami ng tao, tatanunging nila 'magkaibigan
kayo?! Eh sa T.V. magkaaway kayo ha!'"
Another
offer for a new soap came: GMA's Narito Ang Puso Ko, where
Mylene took on the role of Stella-a smart, no-nonsense
executive who helps Jolina learn the family business.
"Pero mabait ang character ko," she says. "Sobrang
bait. As in floral!"
Mylene
relishes the passion and enthusiasm that goes along with
her craft. "It's really nice to initiate something,
to push yourself to the limit, with acting, or whatever
it is that you want to do." That passion has worked
well for her-it made Mylene Dizon a household name. After
several stints with soap operas, the spunky telenovela
star decided to try something new.
Pause,
Play.
In September of 2002, "I was with my friend Jake
Macapagal, who's a stage actor, and I nonchalantly said
that I wanted to try theater, only because I'd never done
if before," says Mylene.
Jake
told theater director Bobby Garcia, who was, at the time,
forming the Horror Show. Garcia called up Mylene to ask
if she was interested in becoming part of the cast. She
was excited, to say the least. "Ihing-ihi ako n'ung
bigla siyang tumawag. As in, I really had to go."
Mylene chuckles. "I said "Wait! I have to pee!'
and Bobby said 'Relax! Said, 'Wala akong pakialam!'"
The
musical paved the way for more theatrical opportunities,
Melvin Lee, her co-actor in Sa Dulo, invited her to try
out for a play that he was directing for the Philippine
Educational Theater Association, or PETA. "Sabi ni
Melvin, 'O, napanood kita sa Rocky. Mag-straight play
ka naman.' Sabi ko, 'Ay. Hindi ko kaya. Gusto ko laro-laro
lang.' Then Melvin said, "Ay hindi. Mag-straiht play
ka. Ako magdi-direct.'"
After
passing the auditions ("In fairness, nag-audition
ako," Mylene says with one eyebrow raised), she became
a cast member of PETA's Agnoia, 12 interwoven stories
told in the manner of a weekly horoscope. As the character
patterned after the traits of a Capricorn, burgeoning
feelings of tenderness and love for another woman. Doing
a straight play was exhilarating and fun," says the
young actress. "N'ung opening night, grabe ang jitters
ko!" Mylene exclaims. "Hindi ako makahinga,
nanghihina yung tuhod ko, tapos hindi ako makakain-putangina!"
She
received her fair share of criticism, especially from
the director. ("Hindi ako pinalalampasan ng director's
notes ni Melvin!") as a matter of fact, it was such
a textured, complicated role that she only "got it"
during the show's last performance. "My character's
conflict was that she could not reconcile the fact that
the traits she was looking for in a man, she found in
a woman," Mylene explains. "I only understood
the role nung last night na. Nagtatalon si Melvin sa tuwa.
'Nakuha mo! Nakuha mo sis!' sabi niya, tapos sabi ko 'Bakit
sa huling gabi ko na naintindihan yung role ko?' and Melvin
said, 'Okey lang 'yan, at least nakuha mo! Meron nga diyan
nagtatapos na hindi nila nape-peg 'yung role.'" Mylene
grins. "Ok na ako du'n."
Theater
has exposed Mylene to a more honest side of her acting,
and this is something she thinks about pursuing further.
"Parang gusto ko yatang gumawa ng plays in between
my television work. To balance me. Para hindi naman masyadong
sell-out," she says thoughtfully, then grins again.
"I'm discovering that in theater, there is this other
form of acting na napaka-genuine, napaka-busisi, napakapulido,
napaka… walang pera!" She bursts out laughing.
"But it balances my sense of self. Doing theater,
parang nagiging tao ka uli."
Next
on her playlist: Playing the irrepressible, incorrigible
Puck in the Metropolitan Theater Guild Foundation's staging
of A Midsummer Night's Dream. "I've never read Shakespeare.
Hindi ako marunong magbasa ng Shakespeare. So hindi ko
alam 'yung 'Midsummer Night's Dream'," Mylene dryly
says. "Sabihini mo na'ng bobo ako, wala akong paki.
"Then
they called me, and we had a meeting, and they told me
I was going to be Puck. Sino si Puck? So I read the play
and I realized… 'Ay grabe, fun si Puck! Siya yung
nanggugulo sa lahat ng kuwento! Ang saya! Go!"
Fast
forward
Lately the actress is also merging her artistic sensibilities
with business. Together with her good friend, actress
Erica Fife, they are creating and selling leather-bound
journals. "I love paper. I love writing stuff down,"
Mylene says. "Erica's the same. Whenever we see nice
paper, we go 'oooh! Paper! How smooth!" So they decided
to start small with their business, looking into consignments
with small boutiques and shops.
As
with everything in her life, Mylene dove headlong into
this project, calling up suppliers one by one and finding
out for herself what it takes to literally make a journal.
"Kanina may kausap akong mga suppliers ng leather
sa Binondo, at nalaman ko" Mylene shares and mimicks
the supplier's gentle Chinese accent. "Sabi niya
'melong akong softie.' I said, "Ano ho 'yung softie?'
'Iyan, malambot yan. Yang ang mukha.' 'Ano'ng mukha? Mukha
ng hayop?' 'Oo,'" She chortles while remembering.
"Makikita ko pa next week. Ewan ko ba!"
Apart
from theater and her tiny business, the entrepreneurial
thespian has gone back to her telenovela roots, playing
a strong supporting role in Basta't Kasama Kita. She plays
Joyce, an OFW nurse and Robin Padilla's past great love.
When
it comes to the future, the young actress doesn't really
believe in worrying, and as a matter of fact, believe
in pushing one's self to the limit. "'Yung wala ka
talagang kaalam-alam sa pinasok mo, 'yung itlog mo andito,"
she says evilly, miming two balls crammed at her throat.
Go beyond your personal limits, she says. It's one of
her self-labeled 'Mylenisms," an impressively long
list of personal mantras which she jots down in her own
journal. Such as? "Leave town ever so often. Get
lost intentionally. Have lots of friends. Don't rush yourself
growing up. And free yourself from unnecessary steps,"
Mylene grins. "Nakakatanda 'yan!" -
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