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 Boxer Codex
  By Petronillo Bn. Daroy
  Philippine Jewelry and Ornaments: The Art of Celia Molano

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        The Bisayans. These are the people of the central Philippine islands, referred in other accounts as the Pintados. The Codex is rather lavish in its description of their dress and ornaments. The men paint their bodies, the tattoos serving as their attire while women only paint/ tattoo their hands. The men, however, do not go naked as they wear a hahaque or loincloth. They have colorful head-dresses (purones) a piece of cloth wound around the head. The young men put this on with fine strips of gold.

The women wear a mantle with a hole for the head, the halves coming down front and back thus with the sides open, are kept from flapping by knotting the comers at the waist. A jacket with half sleeves or full sleeves is worn over the blouse, buttoned in front with braids or gold ornaments. The upper class women wear crowns or wreaths of tinsel imported from China when they go out.

Both men and women have their ears pierced, some in several places for ornaments of gold "made very exquisitely."

A note on goldsmiths: "They have among them many gold artisans who work on filigree choicely and with much benefit. Some look like roses and these are worn only by women and are called pomaras. Others are like round rings worn by men and women who call them panicas. Some wear three or four pairs of such  rings in their ears which they can do because they have so many holes." (Quirino-Garcia Translation: 406-407). Goldsmiths melt and refine gold.

        More on, Bisayan jewelry: Women carry on their arms many bracelets of gold and others of ivory; the men also use these ordinarily. The gold ones are called ganbanes and those of ivory tiposos; they value highly those ivory. They carry around their necks chains of gold and consider them as very pleasing and bizarre. Women place around their legs brace­lets of gold and brass because they carry them bare up to the knees and wear bracelets around the legs with much festiveness ( Quirino-Carcia Translation: 411).   

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